Shogun Studio 2

Shogun Studio 2

Rackmount recording redefined

Shogun Studio 2

Ninja V

Rackmount recording redefined

HDR dual monitor and 8-channel HDp60 / 2-channel 4Kp60 rackmount recorder

The flexible new Shogun Studio 2 takes state of the art Atomos multi-channel recording technology and combines it with two premium 7” HDR 3000nit* high bright touchscreen displays, all in a single 3RU unit. Its unique combination of features makes it perfect for live events, outside broadcast vehicles, production galleries and MCRs, post production facilities, video wall playout, on-set DITs and sports officiating. Connect to practically any SDI or HDMI source including camera channels, PTZ cameras and vision mixers.
*peak brightness

Shogun Studio 2
4Kp60
Apple ProRes Avid DNx
12Gb/s
HDMI 2.0 I/O
HDp240
Slow Motion HD
6.9sec
Pre-roll
150mins
Record on ITB
Timecode
Camera TC
Trigger
From camera

Record multiple formats

The Shogun Studio 2 records either two channels of 4Kp60, or up to eight HDp60 sources in industry standard Apple ProRes, ProRes RAW and AVID DNx codecs. Free your workflow from the constraints of highly compressed GOP based codecs and their associated artifacts. Replace them with clean images captured direct from the sensors of your camera channels using modern Intra-frame codecs.

Playback and edit

Review or play out your footage directly on the Shogun Studio 2 using the innovative touchscreen controls. Playback and play out up to 4Kp60 video, or 2K/HD high frame rate footage slowed down in the unit itself. Playlists can be created from clips either recorded on an Atomos recorder, or from your edit system in a supported codec, resolution and framerate.

Shogun Studio 2 Playback Screen

Advanced record modes

The Shogun Studio 2 offers Pre Roll recording with a 8 second cache in HD, or 2-3 seconds in 4K, to make sure you never miss the action. It also offers Multi Camera ISO recording and Switching of up to 8 SDI inputs from cameras at up to 1080 p60. Each bank of 4 inputs also benefits from a switched output allowing you to have two video switched.

Shogun Studio 2 Rear View

Master your rack

The Shogun Studio 2 only takes 3RU of space and has a short rack depth making it perfect for use in monitor bridges or in small mobile broadcast vehicles. Redundant dual power supplies balance the power load. The rear of the Shogun Studio 2 provides grouped connectivity for each of the recorder channels with 12G, 6G, 3G (single, Dual, Quad) and 1.5B SDI I/O, HDMI with support for both the inputs and outputs, plus XLR audio I/O, Genlock and LTC input and loop through.

Shogun Studio 2 Front

Shogun Studio 2 Front

Class leading screen technology

The dual 7” screens of the Shogun Studio 2 have advanced dynamic zoned backlighting for deeper blacks and brighter whites, while retaining every detail in the highlights. See what the camera channel is capturing with unparalleled precision and use the advanced HDR tools for Log or RAW to ensure perfect exposure, colour and white balance.

Shogun Studio 2 Settings

Shogun Studio 2 has a host of tools for image analysis:

Wave Form Monitors with Luma, RGB parade and Vectorscope with zoom.

Focus peaking, zebra and false color that allow for further image QC checks to be remotely monitored from a distance.

1:1 and 2:1 magnification allows for operators to punch in to check shots for focus, exposure and which is perfect when used in combination with a remote camera control unit.

VU meters for audio monitoring of up to 12 channels of embedded audio and the ability to monitor individual tracks and select which to record.

The ProRes RAW Advantage



Creators are granted complete creative control of their video images in post-production as ProRes RAW combines the flexibility of RAW video with the real-time performance of ProRes. The format gives filmmakers incredible latitude when adjusting the look of their images and extending brightness and shadow detail – making ProRes RAW ideal for HDR workflows.



In addition to their groundbreaking combination of flexibility and performance, Apple ProRes RAW files are smaller than other RAW files – simplifying and accelerating file transfer, media management, and archiving. ProRes RAW files can easily be edited on most modern Apple Mac systems. ProRes RAW is fully supported in Final Cut Pro X along with a collection of other apps including ASSIMILATE SCRATCH, Colorfront, FilmLight Baselight, and Grass Valley Edius. Adobe Premiere Pro and Avid Media Composer are also set to support ProRes RAW in 2020.

Endless features and applications


10RU worth or functionality in a 3RU box

In addition to the core recording and monitoring functions the Shogun Studio 2 packs a raft of additional features that make it incredibly versatile toolbox.

Managed color pipeline

Shogun Studio 2 manages your color in every way. It supports Log inputs from major camera vendors, converting it to Rec.709 and providing users the option to load their own 3D LUTs for immediate preview and transform.

Metadata tagging, Cut Edits & EDL XML

Atomos improve the speed of your end-to-end workflow, allowing for fast turn around and ingest into Media Asset Management systems. Make edit decisions on the fly by touching the screen and selecting from one of 10 tags. You can start to favorite or reject clips while you record, then review, cut and tag in playback mode.


$3699USD     €3699
(EX LOCAL TAX)
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Weight
Weight 5.0kg / 11lb
Rack height 3Ru
Rack mounting Removable rack ears
Dimensions (W x H x D mm) 447 x 152 x 280mm, 17.6 x 6.0 x 11.0”(without rack ears)
490 x 152 x 280mm, 19.3 x 6.0 x 11.0” (with rack ears)
Construction Steel construction for durability
Cooling Actively controlled fan with heat sinks
Power
Operating power (including SSD) 20 - 86W
Compatible batteries No
Input voltage (battery) -
DC Out No
Touchscreen
Size 7.2”
Resolution 1920 x 1200
PPI 325
Aspect ratio 16:9 native
Color Gamut Up to Wide color gamut (105% DCI-P3)
Look up table (LUT) support 3D LUT (.cube format)
Technology SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional X-Rite unit
Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 4:3
Technology Dynamic AtomHDR zoned backlight
Dynamic AtomHDR Technology
Backlight Direct LED
Zones 360 direct backlight individual LEDs
LEDs Wide Color Calibrated D65 or D95
Bit depth 10-bit (8+2 FRC)
Color DCI-P3 105%
Brightness 3000nit (+/- 10%)
Brightness 3000nit (+/- 10%)
Control On the fly real-time brightness analysis for LED control
HDR Conversion Log/RAW to HLG or PQ, Dolby Vision Loop out
HDR Monitoring Technology
Gamma Sony SLog / SLog2 / SLog3 Canon CLog / CLog2 / Clog3 ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / Log- CEI1600 Panasonic Vlog JVC JLog1 RED Log3G10 / RED LogFilm / FujiFilm F-log / Nikon N-Log PQ10k and HLG
Gamut Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / DCI P3 / DCI P3+ Nikon BT2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 / BT.2020 JVC RED WideGamut / RED DragonColor / DragonColor2 / RED Color2 / RED Color3 / RED Color4
Video input/loop out
HDMI HDMI 1 x HDMI (2.0)**
SDI Quad Link 4 x 3G/6G SDI*, 4 x 3G-SDI, 2x 12G single link SDI
Signal (camera dependent) Uncompressed true 10-bit or 8-bit 422
LTC (Record Mode Only) LTC input signal and loop out
Genlock (Playback Mode Only) Genlock input signal and loop out
Video output (play out)
HDMI 1 x HDMI (2.0)**
SDI (Play Out) 1 x Single link SDI 12G/6G/3G/1.5G, Optional 2nd SDI output available in Playback mode
Signal Uncompressed true 10-bit or 8-bit 422
(playback file dependent)
Video Signal Conversion
HDMI to SDI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
SDI to HDMI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
Signal Uncompressed true 10-bit or 8-bit 422
(playback file dependent)
Audio in/out (48kHz PCM audio) (Per Channel)
HDMI 2 or 8ch 24-bit, camera dependent
SDI 12ch 48kHz 24-bit
Audio 2ch balanced XLR analogue in/out Dynamic range >90dB
Max signal level +24dBu
3.5mm 2ch.
Supported Codecs & frame rates (record & playback)
Raw to: ProRes RAW, ProRes
CinemaDNG (CDNG up to 30p only)
Avid DNxHD
Sony^^
FS700, FS-5, FS-7, FS-7MkII
4K DCI; 24/25/30/50/60p
4K UHD; not supported in camera
2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera
Canon
C300MKII/C500 CDNG
4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K; not supported in camera 1080; not supported in camera
Panasonic VaricamLT, EVA1 5.7K DCI; 24/25/30p (EVA1 ProRes RAW only)
4K DCI; 24/25/30/50/60p
4K UHD; 24/25/30/50/60p
2K; 24/25/30/50/60/100/120/200/240p 1080;
not supported in camera
Supported base resolution & FPS from cameras 2K DCI: 23.98/24/25/29.9/30/50/59.94/60p
1080p: 23.98/24/25/29.9/30/50/59.94/60p
1080i: 50/59.94/60i
720p: 50/60p
PSF inputs converted to P but looped out as PSF
Supported FPS & resolution from gaming consoles and graphic cards 4k UHD: 24/25/30/50/60p
Onboard processing
Pulldown removal 24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
4K UHD downscale for HD monitoring Yes - Loop-out and playback (Not available in all RAW modes)
Remote control
HDMI Auto HDMI Trigger
Supported Protocols - Dolby Vision, Canon, Sony, Atomos Open Standard
RS422* 9pin transport control on qualified controllers
SDI SDI trigger camera selectable
Other LANC control - Slave / Calibration on front. Serial - Calibration on front
Playback
Playlist / Genlock / LTC Yes / Yes / No
CDNG (Recorded content) No support
ProRes (Recorded content) All recorded files can playback.
Playback in slow motion >= 100fps.
DNxHR / DNxHD
(recorded content)
All recorded files can playback.
Playback in slow motion >= 100fps.
Recording
Pre-roll record Yes (HD 8s, 4K 2s)
ISO Record Up to 8 streams in 60pHD in parallel
Custom timelapse Yes*
Supported media 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/ drives for list of tested and approved drives
Master caddy case Master Caddy II (included) 75mm x 105mm x 12mm
Supported applications Final Cut Pro / Media Composer / Premiere Pro / After Effects / EDIUS / Vegas Pro / Lightworks / Autodesk Smoke
What's in the box
Accessories included Shogun Studio 2, 2 x rack ears with screws, 4 x rubber feet with screws, 2 x IEC power cable, 2 x HDMI cable, 1 x USB-C Dock, 5 x Master caddy II
Optional extras Master Caddy II x 5, Atomos USB to Serial Calibration cable, Xrite i1 Display pro
Warranty 1 year. Extended to 3 years on product registration
Warranty
Standard 1 year. Extend to 3 yrs on product registration
Please note:
Specifications are subject to change without notice. All information correct at time of publishing.
* This feature will be added in future Firmware update.
** Link between channel 1 and 2 is limited to 4kDCI at 30p
^^ FS700 and FS5mkii require RAW firmware upgrade. FS7 mki/ii require XDCA-FS& extension unit.
Shogun Studio 2 Firmware

Shogun Studio 2 Firmware V10.44

Update Atom OS to take advantage of the latest features for the best possible experience.

Shogun Studio 2 Controller Update

Shogun Studio 2 Controller Update V3.25

Controller update required to run the latest version of AtomOS

Shogun Studio 2 Resources

Quick Start Guide

Recommended Drives

Supported Cameras