Physical |
|
Dimensions (W x H x D mm) |
198mm x 133mm x 40mm / 7.8″ x 5.2″ x 1.57″ |
Weight |
730g / 1.6 lbs |
Mount points |
Top: 1 x 1/4″20 or 3/8″ with anti rotational points, Bottom: 1 x 1/4″20 or 3/8″ with anti rotational points, Right: 1 x 1/4″20 or 3/8″ with anti rotational points |
Environmental |
|
Ambient operating temperature |
Up to 40 degrees Celsius |
Construction |
|
Body |
Aluminium Alloy Chassis with ABS Polycarbonate Rear Enclosure |
Cooling |
Heat Sink + Actively controlled Fan |
Tally light |
LED on the Rear of the Device |
Multi-Function Button |
Power / Lock Screen |
Touch Screen |
Capacitive Touch |
Power |
|
Input voltage |
6.2V to 16.8V |
Compatible batteries |
1 x NP-F / L-Series |
DC in connector |
Locking DC Jack (5.5mm OD & 2.1mm ID) |
Dtap |
Via optional D-Tap to DC cable |
Fan Control |
Low, Medium, Auto / Turbo Cool / Dim Display |
Display |
|
Display Panel |
SuperAtom IPS Panel (Capacitive Touch) |
Size |
7-inch |
Resolution |
1920 x 1200 (1920 x 1080 Image Display) |
Viewing angle |
178 + H & V |
PPI |
325 |
Bit depth |
10-bit (8+2 FRC) |
Backlight Type |
Edge-Lit |
Brightness (cdm2 / nits) |
2000nit +/- 10% |
Aspect ratio |
16:10 (16:9 Image Display) |
Color Gamut |
Rec.709 |
Calibration support |
ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus |
Color Pipeline |
|
Gamma |
Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Arri LogC4, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log, Z CAM Z-Log2, Olympus OM-Log400 / Flat, Leica L-Log |
Gamut |
BT2020, DCI P3, PDCI P3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
3D LUT Display |
.Cube Format (17 & 33 points supported) |
3D LUT Output |
Loop out |
3DLUT 50/50 |
Via Compare Option in LUTs Menu |
Monitoring Modes |
Native / 709 / HLG / PQ / 3D LUT |
HDR output Conversion |
HLG / PQ |
Color Management |
|
Calibration |
Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus |
Display Controls |
Backlight, Lift, Gamma, Gain |
AtomHDR |
Built in Technical Log to HDR EOTF |
3D LUTs |
Load .Cube files from SSD into 8 LUT Slots On-Device – Use for Monitoring, bake into Recordings (optional), or apply to HDMI / SDI Output Signals |
Legalize |
Full to Legal Range Conversion available via Input Menu |
Video Input |
|
HDMI |
1 x HDMI 2.0 |
SDI |
1 x 12G SDI |
Bit Depth |
8/10-Bit for Video / up to 12-Bit for RAW |
Video Chroma Subsampling |
YCbCr 4:2:0 & 4:2:2 |
HDR |
HDMI Auto Detection |
Metadata |
|
HDMI |
RAW – White Balance, Exposure Index, Shutter Speed/Angle, Iris/F-Stop, ISO, Gamma, Gamut |
SDI |
File Name – Arri, Canon, RED, Sony. RAW – White Balance, Exposure Index, Shutter Speed/Angle, Iris/F-Stop, ISO, Gamma, Gamut |
File Naming |
|
Standard |
Scene/Shot/Take & Rolling Scene/Shot/Take |
Via SDI |
Auto-matched filenames from supported Arri, Canon, RED & Sony Cameras |
Video Output |
|
HDMI |
1 x HDMI 2.0 |
SDI Loop / Play Out |
1 x 12G SDI |
Video Chroma Subsampling |
4:2:2 |
Bit Depth |
10-Bit |
HDR |
Yes with auto detection |
Network |
|
Ethernet |
1GbE RJ45 |
Wi-Fi |
Wi-Fi 6E |
Wireless RF |
AirGlu™ SYNC Time code Network |
Atomos Cloud |
Capture to Cloud (AtomosEdit, Frame.io, Sony CI Media), Live Stream (Facebook, Twitch, YouTube, Custom RTMP), Atomos Live Production |
Cellular |
Connect to HotSpot via Wi-Fi |
Web Streaming |
|
RTMP / S |
Destination configured via Atomos Cloud Studio |
Video Signal Conversion |
|
HDMI to SDI |
Supported |
SDI to HDMI |
Supported |
Audio In/Out |
|
Audio Quality |
24-Bit / 48kHz |
Audio Codec |
PCM |
HDMI |
8ch 24-Bit, Input dependent |
SDI |
12ch 24-Bit, Input dependent |
Analogue Audio in |
3.5mm Jack |
Analog Audio Out / Headphone Jack |
3.5mm Jack |
Audio Input Delay |
Frame Delay on Analog Input + Automatic Offset Calibration via AtomOS |
Timecode / Sync |
|
HDMI Embedded |
Supported |
SDI Embedded |
Supported |
Time of day |
Supported |
Wireless SYNC |
AirGlu™ SYNC timecode network |
RF Network range |
300m |
RF Frequency |
Region dependant |
Number of Channels |
12 RF channels per Region |
Number of RF clients |
Region Dependant |
Bluetooth Network Range |
10-15m (line of sight) |
Number of BT Clients |
2 clients |
Resolution and Frame Rates (Record, Monitor & Playback) |
|
8K RAW |
up to 8Kp30 Via HDMI |
6K RAW |
up to 6Kp60 via HDMI & 6Kp30 via SDI |
4K RAW |
up to 4Kp120 via HDMI / SDI |
3.5K Anamorphic RAW |
up to 3.5Kp60 via HDMI |
2K RAW |
up to 2Kp240 via SDI |
4K DCI |
up to 4Kp60 |
4K UHD |
up to UHDp60 |
2K DCI 2046 x 1080 |
up to 2Kp60 via SDI |
FHD 1920 x 1080 Progressive |
up to 1080p120 |
FHD 1920 x 1080 PsF |
Only via Pulldown to Progressive |
FHD 1920 x 1080 Interlaced |
1080i50 / 1080i60 |
1280 x 720p |
up to 720p60 |
Recording Codecs |
|
Apple ProRes RAW |
ProRes RAW & RAW HQ |
Apple ProRes |
HQ, 422, LT |
Avid DNxHD |
220x, 220, 145, 36 (.MOV Wrapper – .MXF Support coming soon) |
Avid DNxHR |
HQX, HQ, SQ, LB (.MOV Wrapper – .MXF Support coming soon) |
H.265 |
XQ, HQ, MQ, LQ (.MOV Wrapper) |
Recording Functions |
|
Camera to Cloud |
H.265 uploaded to Atomos Edit, Adobe Frame.io, Sony CI Media |
Simultaneous Proxy Recording |
ProRes RAW / ProRes / DNx + H.265 Proxy in C2C Mode |
Pre-roll Recording |
8s HD / 2s 4K – ProRes & DNx only |
Timelapse |
Supported |
Gang Control |
Via AirGlu™ SYNC Timecode Network |
Scheduled Recording |
At specified Time of Day or after a specified Time has elapsed |
Playback |
|
Playlist |
Selected Clips, Favorites, or Combined |
Loop |
Supported, with user-customizable In / Out Markers |
Apple ProRes Raw |
Recorded clips only |
Apple ProRes |
HQ, 422, LT (Linear PCM Audio only) |
Avid DNx |
DNxHD: 220x, 220, 145, 36 – DNxHR HQX, HQ, SQ, LB (Linear PCM Audio only) |
H.265 |
Recorded clips only |
Scheduled Playback |
At specified Time of Day or after a specified Time has elapsed |
Supported Media |
|
Master Caddy I |
Not Supported |
Master Caddy II |
Supported |
Master Caddy III |
Supported |
SSDmini |
Yes |
CFast 2.0 |
Supported via optional AtomX CFast 2.0 Adapter |
Network |
Capture to Cloud via Atomos Cloud Studio |
File System |
exFAT |
Interface |
SATA 3.0 |
On-Screen Tools |
|
Waveform |
3 Sizes – Adjustable Opacity & Brightness |
RGB parade |
3 Sizes – Adjustable Opacity & Brightness |
Vector scope |
2 Sizes – Adjustable Opacity & Brightness |
1 x Zoom |
Tap to Zoom |
2 x Zoom |
Tap to Zoom |
Focus peaking |
3 Modes (Color, Black & White, Outline) with adjustable Outline Color & Peaking Intensity |
Zebra |
Adjustable Threshold (50% to 105%) |
Isolate color channel |
Blue only |
Cine Frame Guides |
6 Presets & Custom Frame Guide Calculator |
Social Frame guides |
4 Presets & Custom Frame Guide Calculator |
Safe Areas |
SMPTE Safe Title Area – 93% & 90% |
Grid markers |
9 Grid |
Anamorphic Desqueeze |
2x, 1.8x, 1.79x, 1.65x, 1.6x, 1.5x, 1.33x, 1.25x |
Display Flip |
Vertical |
FColorized Exposure |
Atomos False Color, EL Zone System, Arri False Color |
Frame Grab + Onion Skin Overlay |
Capture lossless 1920 x 1080 Pixel Frame Grab & Overlay with various Position + Transparency Options |
Onboard Signal Processing |
|
4K UHD Downscale for HD |
Available On loop out |
DCI Crop |
Available On loop out |
8K RAW to 4K Video Loop Out |
Available On loop out |
Interlaced to Progressive |
2:2 & 3:2 Pulldown |
PsF to Progressive |
2:2 & 3:2 Pulldown |
NDI HX3 (HD) |
$/€99 optional Activation available via my.atomos.com |
Remote Control |
|
HDMI |
Trigger Recording via Camera Record Button – Supported Protocols: Canon, Sony, Atomos Open Standard, Timecode (Rec Run) |
SDI |
Trigger Recording via Camera Record Button – Supported Protocols: Arri, Canon, Ikegami, JVC, Panasonic, RED, Sony, Timecode (Rec Run) (optional Atomos Connect Accessory required) |
Serial 2.5mm Jack |
Start & Stop Recording via compatible LANC Remotes – Calibration via optional USB to Serial Cable |
Bluetooth LE |
via AtomRemote App |
Wireless RF |
AirGlu™ Gang Control |
External Device Control |
|
Serial 2.5mm Jack |
Z CAM Camera Control via Remote to USB-C Cable |
Cut & Tag |
|
FCP XML |
Up to 10 Tags supported for each Clip |
Supported Applications |
|
XML |
Apple Final Cut Pro (.fcpxml) |
Apple ProRes RAW |
Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH, FilmLight Baselight |
Video Codecs |
All NLE applications that support Apple ProRes, Avid DNx and H.265 in .MOV Wrapper |
What’s in the box |
|
Box Contents |
1 x Shogun Ultra, 1 x USB-C PD to DC Adapter Cable, 1 x Master Caddy III, 1 x RF Antenna, 2 x Wi-Fi Antenna with Black Caps, 5 x Colored Antenna Cap, 3 x Antenna Mount Covers, 1 x 3.5mm Audio Jack to Jack Cable, 1 x Quick Start Guide |
Optional Extras |
AtomX Monitor Mount, AtomX Magic arm 10″ / 13″, USB-C Dock, PowerKit, HDMI Cables |
Warranty |
|
Standard |
1 year |
Extended |
2 years with product registration |