Ninja TX is more than just an upgrade to enable easier sharing. It’s faster and more flexible, and the compact, five-inch body uses a stronger but lighter chassis with an improved thermal design. It now supports 12G-SDI and HDMI, so it is compatible with both cinema and mirrorless cameras.
Atomos has also adopted CFexpress Type B for ultra-fast RAW recording or direct capture to external USB-C drives for long-form projects. A stunning 1500-nit touchscreen provides exceptional clarity in any light, with pro-level tools such as waveform, vectorscope, EL Zone false colour and focus peaking built in. Powering it, the all-new Linux-based AtomOS offers faster boot times, smoother performance and over-the-air firmware updates.
Ninja TX arrives with every codec pre-activated, including ProRes, ProRes RAW, Avid DNx and H.265/H.264, ready to handle everything from 8K/30fps to 4K/60fps or HD in 120fps. Dual USB-C ports allow simultaneous recording, powering and calibration, while a new locking system keeps cables secure on-set.
Cooler, quieter and faster than ever, Ninja TX bridges powerful production with modern cloud workflows – delivering the speed and reliability that contemporary filmmakers need. For Shaw, her New York Film Festival footage was being edited in California while the applause was still ringing out in Manhattan – proof that Ninja TX truly lets professionals work at the speed of cinema.
This article originally appeared in Pro MovieMaker magazine, Nov-Dec 2025 issue.
Learn more about Ninja TX
➞ SHOP Ninja TX here