11 June 2025

From setup to show floor

Find out how Atomos monitors helped Walter van Dusen produce high-quality content at trade shows using his innovative rolling camera rig.

By Atomos

Walter van Dusen is a portrait photographer and content creator based in Massachusetts, USA. He specializes in trade show interviews, event coverage, and multi-camera production, bringing behind-the-scenes content to viewers directly from the show floor.

At NAB Show 2025, Walter introduced his rolling camera stand, a mobile setup designed to simplify content capture in a fast-paced environment. Since his first trade show at the 2022 ProFusion Expo, he has refined his workflow to improve efficiency. “For more than three years I’ve been learning how to make my workflow more efficient and more portable, as I travel frequently,” he shares.

His primary rig features a Sony FX6 camera with a wide-angle lens, securely mounted on a Studio Titan America scissor camera stand for extra support. “I didn’t even know such a stand existed – it’s phenomenal. The moment I took it out of the box, I knew this would be my new rolling stand at trade shows. It’s incredibly stable and very easy to manoeuver,” he adds.

The shock absorption system at the base of the stand provides stability during movement, keeping jarring to a minimum as Walter navigates cables and uneven terrain. “When I’m moving over bumps and cables at a show, the FX6 on top experiences far less motion, which helps maintain steady shots,” he explains.

For audio capture, Walter uses the Sound Devices MixPre-3 sound recorder paired with Sennheiser HD 25 Plus headphones. The adjustable earpieces allow him to stay engaged in conversations while monitoring the sound. “I chose these because the earpieces turn upwards, so when someone is speaking to me, I can lift one over my ear while also listening to the audio,” Walter explains.

Walter synchronizes his audio by connecting Atomos UltraSync One timecode devices to the Sound Devices MixPre-3 and FX6 camera. These devices provide wireless, frame-accurate timecode, reducing time spent manually syncing footage in post production. “When you’re conducting many interviews at trade shows, it’s much more efficient to use timecode for audio sync rather than a traditional clapper – especially since you may not hear a clapper when your camera is positioned at a distance,” Walter notes.

“My workflow is much smoother, which means I can turn content around much faster without spending too much time in post production.”

Walter’s monitoring and recording setup is built for long hours of shooting. He relies on his Atomos Shogun Ultra, mounted to the left of his FX6, with a 4TB SSD for ample storage capacity throughout the day. For quick exposure adjustments, he uses the EL ZONE system, allowing him to fine-tune settings instantly. The Shogun’s 7-inch high-definition screen helps Walter review his footage in various settings. “I can see exactly what I’m recording, even under challenging lighting conditions,” he says.

The Shinobi II monitor is positioned at the back of the camera, directly above the V-mount battery, providing a clear, visual reference of his footage. Walter also incorporates the Ninja Ultra monitor-recorder with the Sony FX3 on a separate rig to capture additional angles and proxy recording.

Walter’s improved rig lets him set up quickly and move between booths with ease, saving valuable time. With Atomos products, he’s able to produce high-quality content while benefiting from timecode synchronization, which simplifies his editing process. “My workflow is much smoother, which means I can turn content around much faster without spending too much time in post production,” he shares.

Learn more about Atomos monitor-recorders on our website

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