Sumo 19SE – 19″ Monitor-Recorder-Switcher
19″ multi-input pro video monitor-recorder-switcher
$2,299.00ex. TAX
In stock
Key Features
- 19-inch, 1200nit P3 D65 touchscreen studio monitor
- 4 x HD-SDI input switching, allowing seamless transitions between live video streams
- 4 x ISO and Program recording for individual input control and post-production flexibility
SKU: ATOMSUMSE1
Category: Monitor-recorders
Tags: monitor recorder, record, switcher, switching, touchscreen
In stock - dispatched within 3 days
Product Details
Powerful On-Set Monitoring & Recording for Production Workflows
The Atomos Sumo 19SE 19-inch monitor recorder is a 1200nit daylight-viewable HDR touchscreen monitor with precise color accuracy and rugged versatility. Designed for professional environments like video villages, multi-camera productions, and live switching, it supports ProRes RAW up to 6Kp30 and enables flexible, real-time workflows from acquisition to post.
Stunning 19-Inch HDR Touchscreen for Critical Monitoring
Featuring a 1200nit, 10-bit panel with 100% DCI-P3 color gamut coverage, the Sumo 19SE offers exceptional brightness, detail, and HDR accuracy in both SDR and HDR workflows. Its robust design is perfect for indoor and outdoor shoots, while AtomHDR technology enables precise exposure and monitoring of Log footage in real-time.
- Monitor in HLG, PQ (HDR10), or Log with built-in LUTs
- View fine shadow and highlight detail clearly, even in daylight
- Factory-calibrated display ensures accurate color reproduction
Record RAW Direct from the Camera Sensor
Sumo 19SE unlocks the full potential of professional cameras with support for Apple ProRes RAW and Avid DNxHR over SDI and HDMI.
- Capture pristine 6Kp30, 4Kp60, or HD signals directly from the sensor
- Record high-bit-depth 10-bit 4:2:2 footage for superior post-production flexibility
- Combine RAW video quality with codec efficiency for fast delivery or editing
Want to know which cameras support ProRes RAW? Check out our compatible camera guide.
Multicam Switching with ISO Recording
More than a monitor and recorder, the Sumo 19SE also functions as a four-channel live switcher with individual ISO recording for each source.
- Accepts four simultaneous 1080p60 SDI inputs
- Switch between feeds live while recording all four ISOs plus the program feed
- Timecode-synced clips make multicam editing easy in post
- Perfect for live events, music videos, or studio-based production, it’s an efficient and portable solution for multicam workflows.
Professional Audio Inputs & Monitoring
Sumo 19SE integrates easily into professional sound workflows with full-sized XLR inputs, supporting:
- 48V phantom power
- Analog audio recording with adjustable gain control
- On-screen audio monitoring and metering
This enables direct connection to boom mics, mixers, or external preamps, ideal for solo shooters and mobile crews.
Rugged Build for Field and Studio
With its durable aluminium alloy chassis, dual rear mounting points, and optional rack-mount ears, the Sumo 19SE is ready for any environment:
- Mount to C-stands, combo stands, or in flyaway kits
- Built for continuous operation in live, studio, and remote locations
- Fanless operation option available for quiet sets
Looking for accessories? View compatible Atomos accessories here.
Flexible Connectivity & Control
The Sumo 19SE comes with both 12G-SDI and HDMI 2.0 connections for broad compatibility. Use it with cinema cameras, mirrorless cameras, or video switchers.
- AtomOS software provides waveform, vectorscope, focus peaking, false color, frame guides, and more
- Tally light indicators for use in multi-cam environments
- Control over RS422 or via touchscreen interface
Why Choose the Sumo 19SE?
- Combines high-bright HDR monitoring with RAW recording
- Enables live multicam switching and ISO capture
- Designed for production-level durability and versatility
- Streamlines on-set, studio, or event workflows
- Unlocks ProRes RAW from compatible cameras over SDI or HDMI
- Product Code: ATOMSUMSE1-B
View Drive Compatibility: Supported SSD Drives
Need Camera Compatibility Info? Compatible Cameras List
Physical
Dimensions (W x H x D mm)
504mm x 310mm x 63m / 19,8" x 12,2" x 2,5"
Weight
6.2 kg / 13.7 lb
Mounting Points
Top: 4 x 1/4"20, 2 x 3/8″, Bottom: 6 x 1/4"20, 3 x 3/8″ Right: 4 x 1/4"20, 2 x 3/8″, Left: 2 x 1/4"20, 1 x 3/8″
VESA Mount
100 x 100
Environmental
Ambient Operating Temperature
Up to 40 Degrees Celsius
Construction
Cooling
Heat Sink + Actively controlled Fan
Tally Light
LED on the Front & Rear of the Device
Multi-Function Button
Power / Lock Screen
Touch Screen
Capacitive Touch
Power
Input voltage
DC 12V to 16.8V
Operating Power
75W
Compatible Batteries
95Wh+ V-Lock / Anton Bauer Gold Mount via XLR Terminal (Optional Mounting Plates available)
Battery Voltage
14.4V Nominal
Continuous Battery Power
Dual Battery Input via dedicated 4-Pin XLR
DC-In Connector
1 x 4-Pin XLR for included DC Power Supply
D-Tap
Via optional D-Tap to 4-Pin XLR Cable
Display
Display Panel
SuperAtom IPS Panel (Capacitive Touch)
Size
19″
Resolution
1920 x 1080
PPI
120
Bit Depth
10-Bit (8+2 FRC)
Backlight Type
Edge-Lit + Optically Bonded Quantum Dot
Brightness (cd/m²/ nits)
1200nit +/- 10%
Aspect Ratio
16:9
Color Gamut
DCI P3
Calibration Support
ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
Color Pipeline
Gamma
Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-log, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm F log, PQ (HDR10), HLG, Nikon N-Log
Gamut
BT2020, DCI P3, DCI P3+, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, F-Gamut, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
3D LUT Display
.Cube Format (17 & 33 points supported)
3D LUT Output
Loop out
3DLUT 50/50
Via Compare Option in LUTs Menu
Monitoring Modes
Native / 709 / HLG / PQ / 3D LUT
HDR Output Conversion
HLG / PQ
Color Management
Calibration
ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
Display Controls
Backlight, Lift, Gamma, Gain
AtomHDR
Built-in Technical Log to HDR EOTF
3D LUTs
Load .Cube files from SSD into 8 LUT Slots On-Device – Use for Monitoring, bake into Recordings (optional), or apply to HDMI / SDI Output Signals
Legalize
Full to Legal Range Conversion available via Input Menu
Video Input
HDMI
1 x HDMI (2.0)
SDI
2 x 12G SDI (6G/3G Backwards Compatible) + 2 x 3G SDI
Bit Depth
8/10-Bit for Video / up to 12-Bit for RAW
Video Chroma Subsampling
YCbCr 4:2:0 & 4:2:2
HDR
HDMI Auto Detection
Metadata
SDI
File Name – Arri & RED. RAW – White Balance, Exposure Index, Shutter Speed/Angle, Iris/F-Stop, ISO, Gamma, Gamut
File Naming
Standard
Scene/Shot/Take & Rolling Scene/Shot/Take
Via SDI
Auto-matched filenames from supported Arri & RED Cameras
Video Output
HDMI
1 x HDMI (2.0)
SDI Loop / Play Out
1 x 12G SDI
Video Chroma Subsampling
4:2:2
Bit Depth
10-Bit
HDR
HDMI Auto Detection
Video Signal Conversion
HDMI to SDI
Supported
SDI to HDMI
Supported
Audio In/Out
Audio Quality
24-Bit / 48kHz
Audio Codec
PCM
HDMI
8ch 24-Bit, Input dependent
SDI
12ch 24-Bit, Input dependent
Analog Audio In
2 x 3-Pin XLR(F)
Analog Audio Out
2 x 3-Pin XLR(M)
Speakers
2 x Built-In 5W Speakers
Headphone Out
3.5mm Jack
Timecode / Sync
HDMI Embedded
Supported
SDI Embedded
Supported
Time of Day
Supported
LTC
LTC via dedicated BNC Input (Record Mode only)
Genlock
Supported (Playback Mode only)
Resolution and Frame Rates (Record, Monitor & Playback)
6K RAW
up to 6Kp30 via SDI
4K RAW
up to 4Kp60 via SDI
2K RAW
up to 2Kp240 via SDI
4K DCI
up to 4Kp60
4K UHD
up to UHDp60
2K DCI 2048 x 1080
up to 2Kp60
FHD 1920 x 1080 Progressive
up to 1080p120
FHD 1920 x 1080 PsF
Only via Pulldown to Progressive
FHD 1920 x 1080 Interlaced
1080i50 / 1080i60
1280 x 720p
up to 720p60
Recording Codecs
CDNG
SDI RAW Inputs up to 4Kp30 only
Apple ProRes RAW
ProRes RAW & RAW HQ
Apple ProRes
HQ, 422, LT
Avid DNxHD
220x, 220, 145, 36 (.MOV Wrapper)
Avid DNxHR
HQX, HQ, SQ, LB (.MOV Wrapper)
Recording Funtctions
Pre-roll Recording
8s HD / 2s 4K – ProRes & DNx only
Timelapse
Supported
ISO Recording
4 x ISO up to 1080p60 (3G SDI Level A only)
Switched Program Record
Supported
Playback
Playlist
Selected Clips, Favorites, or Combined
Loop
Supported, with user-customizable In / Out Markers
CDNG
Not Supported
Apple ProRes Raw
Recorded clips only
Apple ProRes
HQ, 422, LT (Linear PCM Audio only)
Avid DNx
DNxHD: 220x, 220, 145, 36 – DNxHR HQX, HQ, SQ, LB (Linear PCM Audio only)
Multi Input / Switching
Dual Input Display
via Multi ISO Input Mode
Multiple SDI Input
Up to 4 x 1080p60 (3G SDI Level A only)
Multiview Display
via Multi ISO Input Mode
Input Switching
Supported
Supported Media
Master Caddy I
Not Supported
Master Caddy II
Supported
Master Caddy III
Supported
SSDmini
Supported (AtomX SSDmini Handle required)
CFast 2.0
Not Supported
File System
exFAT
Interface
SATA 3.0
On-Screen Tools
Waveform
3 Sizes – Adjustable Opacity & Brightness
RGB parade
3 Sizes – Adjustable Opacity & Brightness
Vector Scope
2 Sizes – Adjustable Opacity & Brightness
1 x Zoom
Tap to Zoom
2 x Zoom
Tap to Zoom
Focus Peaking
3 Modes (Color, Black & White, Outline) with adjustable Outline Color & Peaking Intensity
Zebra
Adjustable Threshold (50% to 105%)
Isolate Color Channel
Blue only
Cine Frame Guides
2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Social Frame guides
9:16, 1:1, 1.91:1, 4:5
Safe Areas
SMPTE Safe Title Area – 93% & 90%
Grid Markers
9 grid
Anamorphic Desqueeze
2x, 1.8x, 1.5x, 1.33x, 1.25x
Display Flip
Vertical
Colorized Exposure
Atomos False Color
Onboard Signal Processing
4K UHD Downscale for HD
Available on loop out
DCI Crop
Available on loop out
6K RAW to 4K Video Loop Out
Available on loop out
Interlaced to Progressive
2:2 & 3:2 Pulldown
PsF to Progressive
2:2 & 3:2 Pulldown
Remote Control
HDMI
Trigger Recording via Camera Record Button – Supported Protocols: Canon, Sony, Atomos Open Standard, Timecode (Rec Run)
SDI
Trigger Recording via Camera Record Button – Supported Protocols: Arri, Canon, Ikegami, JVC, Panasonic, RED, Sony, Timecode (Rec Run)
Serial 2.5mm Jack
Start & Stop Recording via compatible LANC Remotes – Calibration via optional USB to Serial Cable
Cut & Tag
FCP XML
Up to 10 Tags supported for each Clip & Multicam with Transitions in FCP XML
Supported Applications
XML
Apple Final Cut Pro (.fcpxml)
Apple ProRes RAW
Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH, FilmLight Baselight
Video Codecs
All NLE applications that support Apple ProRes & Avid DNx in .MOV Wrapper
What’s in the box
Box Contents
1 x Sumo 19SE, 1x Master Caddy II, 1x BattWing Mounting Bracket, 2x Desktop Feet with 4x 1/4”20 Mounting screws, 1 x XLR Power Supply
Optional Extras
Sunhood, UltraSync One, HDMI Cables, USB to Serial Cable
Warranty
Standard
1 Year
Extended
Extend to 2 Years when registering your Sumo 19SE on my.atomos.com