The RAW output also supports a 3.7K anamorphic mode, making it a powerful combination with cost effective MFT anamorphic lenses and anamorphic monitor modes on the Ninja V HDR display. Users can benefit from a bigger world of cinematic opportunities.
SHOT IN PRORES RAW
'Him' by filmmaker Tommy Rowe
Watch the short film ‘Him’ captured on the LUMIX GH5S and Ninja V in ProRes RAW by filmmaker Tommy Rowe. Tommy Rowe from Rowe Films is a freelance filmmaker, videographer, commercial drone operator and musician, based in Devon, UK. He carries out a variety of video production commissions, from high-end wedding films and commercial promo videos to short films, music videos and YouTube content.
Upgrade your workflow
The ever-reliable GH5S is now upgradeable to a RAW workflow in combination with the Ninja V family. With this powerful combo you have an extremely capable and cost-effective way to shoot in the highest 12-bit RAW quality – no matter what the planned deliverable format is. Future proof your content!
Learn more about how filmmakers and creatives use ProRes RAW to get the most from their cameras and post-production workflow.
This latest update also includes all the powerful embedded metadata that activates the WB and ISO slider adjustments in Final Cut Pro. Allowing for full creative control in the edit.
ProRes RAW - the new standard for RAW
Atomos is proud to be adding yet another exciting camera to the ever-growing ProRes RAW ecosystem. Throughout 2021 ProRes RAW continues to build momentum with over 30 cameras now supporting ProRes RAW recording with Atomos devices. The ever-expanding camera support cements ProRes RAW’s position as the industry standard for RAW video capture. Support continues to expand across camera manufacturers and new models, demonstrating industry commitment to the future of ProRes RAW recording.
ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes. The format gives filmmakers enormous latitude when adjusting the look of their images and extending brightness and shadow detail, making it ideal for HDR workflows. Both ProRes RAW, and the higher bandwidth, less compressed ProRes RAW HQ are supported. Manageable file sizes speed up and simplify file transfer, media management, and archiving. ProRes RAW is fully supported in Final Cut Pro.
4K DCI p60
Apple ProRes RAW
Panasonic LUMIX GH5S
|HDMI Type||FULL Type A|
|Output for Recording VIDEO||Video 10-bit 4:2:2 log|
|Output for Recording RAW||12-bit Linear RAW|
|Audio Output||3.5mm Jack|
|Audio Input||3.5mm Jack|
Recording with Atomos (Ninja V)
|Supported Resolution||Capture Resolution||Frame Rate|
|RAW Outputs||ProRes RAW|
|4K DCI||4096 x 2160||59.94p|
|4096 x 2160||50p|
|4096 x 2160||29.97p|
|4096 x 2160||25p|
|4096 x 2160||23.98p|
|3.7k Anamorphic||3680 x 2760||59.94p|
|3680 x 2760||50p|
|3680 x 2760||29.97p|
|3680 x 2760||25p|
|3680 x 2760||23.98p|
|4K DCI (only HDMI O/P)||4096 x 2160||59.94p|
|3840 x 2160||50p|
|3840 x 2160||29.97p|
|3840 x 2160||25p|
|3840 x 2160||23.98p|
|HD (SDI and HDMI O/P)||1920 x 1080||Up to 60 fps|
Disclaimer: All product features and technical specifications stated are subjected to Atomos’ sole interpretation and explanation.
Specifications are subject to change without notice.