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The GH5S is a well-established and respected camera in the market, renowned for fantastic video features. It is compact and lightweight with a MFT lens mount and a 10.2MP image sensor. With the recent camera firmware v2.0 update it is now capable of outputting RAW over HDMI to a Ninja V or Ninja V+ at up to 4K DCI p60. Recording pristine 12-bit ProRes RAW files with over 68 billion colour gradations.

Anamorphic Support

The RAW output also supports a 3.7K anamorphic mode, making it a powerful combination with cost effective MFT anamorphic lenses and anamorphic monitor modes on the Ninja V HDR display. Users can benefit from a bigger world of cinematic opportunities.


'Him' by filmmaker Tommy Rowe

Watch the short film ‘Him’ captured on the LUMIX GH5S and Ninja V in ProRes RAW by filmmaker Tommy Rowe. Tommy Rowe from Rowe Films is a freelance filmmaker, videographer, commercial drone operator and musician, based in Devon, UK. He carries out a variety of video production commissions, from high-end wedding films and commercial promo videos to short films, music videos and YouTube content.

Read more

Upgrade your workflow

The ever-reliable GH5S is now upgradeable to a RAW workflow in combination with the Ninja V family. With this powerful combo you have an extremely capable and cost-effective way to shoot in the highest 12-bit RAW quality – no matter what the planned deliverable format is. Future proof your content!

Learn more about how filmmakers and creatives use ProRes RAW to get the most from their cameras and post-production workflow.

Upgrade your workflow

Metadata support 

This latest update also includes all the powerful embedded metadata that activates the WB and ISO slider adjustments in Final Cut Pro. Allowing for full creative control in the edit.


ProRes RAW - the new standard for RAW

Atomos is proud to be adding yet another exciting camera to the ever-growing ProRes RAW ecosystem. Throughout 2021 ProRes RAW continues to build momentum with over 30 cameras now supporting ProRes RAW recording with Atomos devices. The ever-expanding camera support cements ProRes RAW’s position as the industry standard for RAW video capture. Support continues to expand across camera manufacturers and new models, demonstrating industry commitment to the future of ProRes RAW recording.

ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes. The format gives filmmakers enormous latitude when adjusting the look of their images and extending brightness and shadow detail, making it ideal for HDR workflows. Both ProRes RAW, and the higher bandwidth, less compressed ProRes RAW HQ are supported. Manageable file sizes speed up and simplify file transfer, media management, and archiving. ProRes RAW is fully supported in Final Cut Pro.


  • 4K DCI p60

    Apple ProRes RAW

  • 3.7K Anamorphic

    with GH5S

  • 12-bit RAW



Panasonic LUMIX GH5S

Main Info
Connection HDMI
Output for Recording VIDEO Video 10-bit 4:2:2 log
Output for Recording RAW  12-bit Linear RAW 
Trigger HDMI
Timecode HDMI Timecode
Audio Output 3.5mm Jack
Audio Input 3.5mm Jack


Recording with Atomos (Ninja V)


Supported Resolution Capture Resolution Frame Rate
RAW Outputs ProRes RAW
4K DCI 4096 x 2160  59.94p
4096 x 2160 50p
4096 x 2160 29.97p
4096 x 2160 25p
4096 x 2160 23.98p
3.7k Anamorphic  3680 x 2760  59.94p
3680 x 2760 50p
3680 x 2760 29.97p
3680 x 2760 25p
3680 x 2760 23.98p
Video Outputs
4K DCI (only HDMI O/P)  4096 x 2160 59.94p
3840 x 2160 50p
3840 x 2160 29.97p
3840 x 2160 25p
  3840 x 2160 23.98p
HD (SDI and HDMI O/P) 1920 x 1080 Up to 60 fps


Disclaimer: All product features and technical specifications stated are subjected to Atomos’ sole interpretation and explanation.
Specifications are subject to change without notice.


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