ProRes RAW is the perfect medium for an 8K workflow and will be a revelation for any filmmaker who has experienced dropped frames with other formats. A modern Mac computer will playback full resolution 8Kp30 ProRes RAW with ease and bypass the cumbersome, time-consuming proxy workflows. Editing with Final Cut Pro will provide an unparalleled real-time performance and opportunities to adjust exposure, white balance and ISO settings for each clip in post. 

It’s impossible to overstate the innovations of ProRes RAW. By combining the flexibility of RAW with the speed, performance and convenience of Apple ProRes, it’s a format that is suitable for very filmmaker, every production and delivery platform from social media to cinema. The amazing efficiencies designed into the codec means that footage recorded with ProRes RAW can provide all these advantages while maintaining a file size that is equivalent to ProRes 422 HQ. 

The efficiencies of ProRes RAW make it possible to playback multiple streams of 8Kp30 ProRes RAW simultaneously. This makes it perfect for multi-camera projects. The built-in LTC input on the EOS R5 C also means that it’s suited for multi-camera productions. It can be used with the ATOMOS UltraSync One, a compact wireless sync device, which can be used to connect and synchronize multiple cameras. The technology is also compatible with the SHOGUN CONNECT or Atomos Connect /AtomX SYNC for the NINJA V/V+. This means you can wirelessly synchronise the EOS R5 C to a range of devices including apps like MetaRecorder audio recorder from Apogee, Mavis Pro camera and MovieSlate8 logging for iPhone and iPad and professional audio recorders including the Zoom F6 and F8n and the bodypack recorder Zoom F2. 

Alongside the ability to record stunning ProRes RAW, the NINJA V/V+ and SHOGUN CONNECT also provide an amazing experience for monitoring on-set. The NINJA V/V+ has a 5-inch, 10-bit HDR display with 1000nits of output, whilst the SHOGUN CONNECT’ has a 7″ 2000nit 10-bit HDR display. This allows you to monitor your image in daylight and view an accurate HDR preview in either HLG or PQ (HDR10) depending on the requirements of the production. The NINJA V/V+ and SHOGUN CONNECT are also able to accurately display SDR footage and include support for custom LUTs. 

The AtomOS software on every NINJA V/V+ and SHOGUN CONNECT provide a wealth of technical tools including Focus Peaking, 1:1 Zoom, False Color, Waveform and Vectorscope. Creative tools include a Safe Area, Cine and Social Media Frame guides, Onion Skinning and Frame Grabs.