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As a standalone camera, the Sony A7S III delivers exceptional 4K video with class-leading speed, dynamic range, 5-axis image stabilization and autofocus precision. Partnered with the Atomos Ninja V, however, it is a formidable combination, opening a 4Kp60 RAW workflow to capture the full dynamic range from the camera’s state-of-the-art CMOS image sensor. For applications where the flexibility of RAW is not needed, users are able to record 10-bit ProRes 422 for the first time in a Sony mirrorless camera and take advantage of the class-leading monitoring functions and affordable media options that the Ninja V delivers.

Sony Alpha A7S III + Ninja V

The new next generation full-frame mirrorless Sony A7S III camera and the Ninja V HDR monitor-recorder enables a powerful ultra high resolution RAW video workflow. The image data can be recorded to the Ninja V in Apple ProRes RAW, fully capturing the wide dynamic range of the A7S III’s state-of-the-art Sony sensor for the maximum detail and latitude in post-production from the camera’s large photosites – optimal for HDR finishing or to give greater flexibility in SDR (Rec.709). Alternatively, you can record production-ready Apple ProRes or Avis DNx video at up to 4k59.94p at 10-bit.

ProRes RAW

Amazing detail with 12-bit Apple ProRes RAW

The Ninja V captures tremendous detail with 12-bit log files with over 68 billion color graduations! This is converted from the camera’s 16-bit linear RAW output. This process has the advantage of being visually indistinguishable from 16-bit Linear recording, while still having practical data rates.

Capture up to 4.2K resolution at up to 59.94 frames per second. These unprocessed files are extremely clean, preserving the maximum dynamic range, color accuracy and every detail, allowing for greater creativity in post-production with perfect skin tones and easily matched colors, ideal for both HDR and SDR (Rec.709) workflows.


Production ready with Apple ProRes 422 and Avid DNx

For the first time in a Sony mirrorless camera you can now record full-frame 10-bit 422 Log or Rec.709 video from the A7S III at up to 4Kp60 directly into Apple ProRes or Avid DNx codecs. This allows for practical data rates and perfect for shoots where these production codecs are required for workflow or speed of turnaround.

Camera Specifications



Feature Key information
Connection HDMI
HDMI Type HDMI 2.0 Type A
Output For Recording – VIDEO Video 10bit 4:2:2
Output for Recording – RAW 16-bit Linear RAW
Trigger HDMI trigger
Timecode HDMI Timecode
Audio Output 2 channels on HDMI
Audio Input 3.5mm Jack
Power NP-FZ100 7.2V

Recording with Ninja V


Supported Resolution Capture Resolution Frame Rate Available
RAW Outputs ProRes RAW
4.2k Metadata Uncropped 4264 x 2408 59.94p
4264 x 2408 50p
4264 x 2408 29.97p
4264 x 2408 25p
4264 x 2408 23.98p
4.2k Metadata Cropped 4240 x 2385 59.94p
4240 x 2385 50p
4240 x 2385 29.97p
4240 x 2385 25p
4240 x 2385 23.98p
Video Outputs ProRes / DNx
4k UHD 3840 x 2160 59.94p
3840 x 2160 50p
3840 x 2160 29.97p
3840 x 2160 25p
3840 x 2160 23.98p
HD 1920 x 1080 59.94p
1920 x 1080 50p
1920 x 1080 29.97p
1920 x 1080 25p
1920 x 1080 23.98p
1920 x 1080 59.94i
1920 x 1080 50i
*Low Noise Mode Only ** Standard and Low Noise modes
Disclaimer: All product features and technical specifications stated are subjected to Atomos’ sole
interpretation and explanation. Specifications are subject to change without notice.

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