London-based filmmaker Ray Roberts has been creating content for nearly two decades, starting with his first YouTube short at just 12 years old. “I began uploading films in 2006,” he reflects. “I’m still creating today – telling stories about filmmaking, creativity, and personal experiences.”
Ray’s work spans commercial, music video, and documentary projects, with a growing focus on narrative filmmaking. He wears many hats: director, camera operator, editor, and educator. Through every phase of his career, one tool has stayed a constant – his Atomos Shinobi monitor. “For most of my self-shot projects, I use a Sony FX3 camera paired with the Shinobi,” says Ray. “It’s a super practical setup that keeps me nimble on the go.”
Ray’s journey with Atomos began in 2014 with the Ninja Blade and a Canon C100 camera. “That was my first taste of how essential external monitors are,” he recalls. “Since then, it’s been a must-have on every camera rig I use – even for social content. Having a larger display without adding bulk is a game-changer. You frame and compose with greater confidence when you have a clear view of what you’re capturing.”
Since then, Shinobi has become a staple in his kit. “I’ve used many monitors over the years, but honestly, the Shinobi is a lifesaver,” Ray explains. “It’s lightweight, durable, and holds up in bright daylight – something most monitors struggle with. Plus, it doesn’t drain batteries, which is huge for run-and-gun shoots.”