Sony FX3
Ninja V & Sony’s FX3 Combination
The FX3 and Ninja V combination allows for a compact rig set-up with a camera that breaks existing boundaries and unleashes extended creative possibilities to creators. Add to this the ability to record data-rich 16-bit RAW from the FX3, which is then compressed and recorded in the Ninja V as 12-bit ProRes RAW from the camera’s large sensor at 4.2K up to p60.
‘Hisashiburi' 久しぶり - Shot in ProRes RAW on Sony's FX3 & Ninja V
Watch now how Sony’s FX3 and Ninja V perform shooting in ProRes RAW. ProRes RAW recording is now available for the combo with AtomOS 10.63 for Ninja V.
Below you can watch the behind the scenes footage from the same shoot to learn more about Sony’s FX3, and how the featured beauty video was created. Learn even more at Atomos Academy.
ProRes RAW - the new standard for RAW
Atomos is proud to be adding yet another exciting camera to the ever-growing ProRes RAW eco-system. Throughout 2020 and 2021 ProRes RAW continues to build momentum with over 30 cameras supporting ProRes RAW with Atomos, cementing its position as the industry standard for RAW video capture. ProRes RAW support continues to expand across camera manufacturers and models, demonstrating industry commitment to the future of ProRes RAW recording.
ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes. The format gives filmmakers enormous latitude when adjusting the look of their images and extending brightness and shadow detail, making it ideal for HDR workflows. Both ProRes RAW, and the higher bandwidth, less compressed ProRes RAW HQ are supported. Manageable file sizes speed up and simplify file transfer, media management, and archiving. ProRes RAW is fully supported in Final Cut.
4.2k RAW
with FX3
12 bit+
Color
320-560MB/s
Data Rate
Metadata
Camera, F-Stop, ISO, Shutter, WB and more
20+ Cameras
RAW Eco-system
CAMERA SPECS
Sony FX3
| Specifications |
Main Info |
| Connection | HDMI |
| HDMI Type | HDMI 2.0 Type A |
| Internal Recording | h.265 10bit 4:2:0 |
| Output for Recording VIDEO | Video 10bit 4:2:2 |
| Output for Recording RAW | 16-bit Linear RAW |
| Trigger | HDMI |
| Timecode | HDMI Timecode |
| Audio Output | 2 channels on HDMI |
| Audio Input | 3.5mm Jack |
Recording with Atomos (Ninja V)
| Supported Resolution | Capture Resolution | Frame Rate |
|---|---|---|
| RAW Outputs | ProRes RAW | |
| 4.2k Metadata Uncropped | 4264 x 2408 | 59.94p |
| 4264 x 2408 | 50p | |
| 4264 x 2408 | 29.97p | |
| 4264 x 2408 | 25p | |
| 4264 x 2408 |
23.98p | |
| 4.2k Metadata Cropped | 4240 x 2385 | 59.94p |
| 4240 x 2385 | 50p | |
| 4240 x 2385 | 29.97p | |
| 4240 x 2385 | 25p | |
| 4240 x 2385 | 23.98p | |
| Video Outputs |
ProRes/DNx | |
| 4k UHD | 3840 x 2160 | 59.94p |
| 3840 x 2160 | 50p | |
| 3840 x 2160 | 29.97p | |
| 3840 x 2160 | 25p | |
| 3840 x 2160 | 23.98p | |
| HD | 1920 x 1080 | 59.94p |
| 1920 x 1080 | 50p | |
| 1920 x 1080 | 29.97p | |
| 1920 x 1080 | 25p | |
| 1920 x 1080 | 23.98 | |
| 1920 x 1080 | 59.94i | |
| 1920 x 1080 | 50i |
Disclaimer: All product features and technical specifications stated are subjected to Atomos’ sole interpretation and explanation.
Specifications are subject to change without notice.