Sony Alpha 1
Ninja V & Sony’s Alpha 1 Combination
The Alpha 1 and Ninja V combination allows for a compact rig set-up with a camera that breaks existing boundaries and unleashes extended creative possibilities to creators. Add to this the ability to record data-rich 16-bit RAW from the Alpha 1, which is then compressed and recorded in the Ninja V as 12-bit ProRes RAW from the camera’s new large sensor up to 4.3Kp60.
‘Hisashiburi' 久しぶり Shot in ProRes RAW on Sony's Alpha 1 & Ninja V
Watch now how Sony’s Alpha 1 and Ninja V perform shooting in ProRes RAW. ProRes RAW recording is now available for the combo with AtomOS 10.63 for Ninja V.
Below you can watch the behind the scenes footage from the same shoot to learn more about Sony’s Alpha 1, and how the featured beauty video was created.
Users will benefit from the full flexibility offered by the ProRes RAW format as Atomos have been closely working with Apple to ensure that all the required metadata to activate the WB and ISO Adjustment sliders in Final Cut Pro is present within the Atomos recorded ProRes RAW file and working correctly. Having these adjustments available for the user really demonstrates the power and flexibility of the ProRes RAW format.
Content creators and filmmakers will benefit from these available adjustments and the storage advantage of ProRes RAW, where the codec harnesses the ability to capture 12-bit RAW in the same file sizes as 10-bit 422 standard ProRes. In addition to their groundbreaking combination of flexibility and performance, Apple ProRes RAW files are smaller than other RAW file types – simplifying and accelerating file transfer, media management, and archiving.
ProRes RAW - the new standard for RAW
Atomos is proud to be adding yet another exciting camera to the ever-growing ProRes RAW eco-system. Throughout 2020 and 2021 ProRes RAW continues to build momentum with over 30 cameras supporting ProRes RAW with Atomos, cementing its position as the industry standard for RAW video capture. ProRes RAW support continues to expand across camera manufacturers and models, demonstrating industry commitment to the future of ProRes RAW recording.
ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes. The format gives filmmakers enormous latitude when adjusting the look of their images and extending brightness and shadow detail, making it ideal for HDR workflows. Both ProRes RAW, and the higher bandwidth, less compressed ProRes RAW HQ are supported. Manageable file sizes speed up and simplify file transfer, media management, and archiving. ProRes RAW is fully supported in Final Cut.
With Sony Alpha 1
Camera, F-Stop, ISO, Shutter, WB and more
Ninja V Playback capabilities
A powerful feature of the Ninja V is the speed that all files can be played back for review and then analysed using the vast array of tools built into the Ninja menu system.
Sony Alpha 1
|Connection||RAW via HDMI|
|HDMI Type||HDMI 2.0 Type A|
|Output Recording (Video)||10-bit 4:2:2|
|Log Output (RAW)||16-bit Linear|
|Audio Output||2 channels on HDMI|
|Audio Input||3.5mm Jack|
Recording with Atomos (Ninja V)
|Supported Resolution||Capture Resolution||Frame Rate|
|RAW Outputs||ProRes RAW|
|4.3k Metadata Uncropped||4332 x 2446||59.94p|
|4332 x 2446||50p|
|4332 x 2446||29.97p|
|4332 x 2446||25p|
|4332 x 2446||23.98p|
|4k UHD||3840 x 2160||59.94p|
|3840 x 2160||50p|
|3840 x 2160||29.97p|
|3840 x 2160||25p|
|3840 x 2160||23.98p|
|HD||1920 x 1080||59.94p|
|1920 x 1080||50p|
|1920 x 1080||29.97p|
|1920 x 1080||25p|
|1920 x 1080||23.98p|
|1920 x 1080||59.94i|
|1920 x 1080||50i|
Disclaimer: All product features and technical specifications stated are subjected to Atomos’ sole interpretation and explanation.
Specifications are subject to change without notice.