Supported Cameras

Nikon Z 6 II & the Ninja V combination

Shoot incredible moving images with the quality and flexibility of Apple ProRes RAW* in stunning 12-bit 4K UHD resolution, with the addition of a Nikon service firmware upgrade. The Z 6 is a mirrorless marvel that shoots amazing 24.5 megapixel stills and 4K video. As standard it outputs up to 10-bit 4Kp30 4:2:2 video over HDMI to any current Atomos monitor/recorder.

Shoot ProRes RAW, shoot ProRes, shoot DNxHR – you choose

The Ninja V gives the Z 6 multiple options for recording professional video. Choose the codec and the quality you need for the job in hand.

Record ProRes RAW* and ProRes RAW HQ* at UHD 4kp24/25/30 or 1080p24/25/30/50/60

Record ProRes 422 LT, 422 or 422 HQ at UHD 4kp24/25/30 or 1080p24/25/30/50/60

Record Avid DNx at UHD 4kp24/25/30 or 1080p24/25/30/50/60

Ninja V advantage

The Ninja V allows users to accurately monitor the RAW signal on its daylight-viewable 5” 1000nit brightness HDR screen. Setup is simple when the camera is attached with perfectly tuned color settings applied automatically. Users can then view the RAW image accurately in HDR in a choice of HLG and PQ (HDR10) formats. The Ninja V offers touchscreen access to tools like waveforms, 1:1 magnification and focus peaking, allowing them to perfect their RAW video. The Ninja V then records the Apple ProRes RAW data onto a removable AtomX SSDmini or other SSD drive. When shooting is complete the drive is removed and connected to a computer via USB for immediate offload and editing.

The ProRes RAW Advantage

Apple ProRes RAW is now firmly established as the new standard for RAW video capture, the Nikon Z6 II joins our fast-growing number of cameras outputting RAW over HDMI. ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes. The format gives filmmakers enormous latitude when adjusting the look of their images and extending brightness and shadow detail, making it ideal for HDR workflows. Both ProRes RAW, and the higher bandwidth, less compressed ProRes RAW HQ are supported., and manageable file sizes speed up and simplify file transfer, media management, and archiving.

ProRes RAW is supported in Final Cut Pro X, Adobe Premiere, Avid Media Composer and Grass Valley Edius, along with a collection of other apps including ASSIMILATE SCRATCH, Colorfront and FilmLight Baselight.